Thursday, June 2, 2016

Super North Peak Superbloom

“Fear no more the heat o’ the sun.
Nor the furious winter’s rages,
Thou thy worldly task hast done,
Home art gone, and ta’en thy wages.
Golden lads and girls all must,
As chimney-sweepers, come to dust.”
       Cymbeline, Act IV, Scene 2, lines 258-263



The balsamroot golden lads have come to dust, but their leaves shelter Indian paintbrush on the North Peak.

Clouds, flowers, grass flew around in the wind, 
but it was a good day for soft light in sheltered spots!



shaggy fleabane, Erigeron pumilus
blanketflower, Gaillardia aristata
bitterroot, Lewisia rediviva
threadleaf phacelia, Phacelia linearis


lupine and yarrow


larkspur
golden aster, Chrysopsis villosa

Wednesday, June 1, 2016

Super Jumbo Superbloom

Cushion Buckwheat, Eriogonum ovalifolium

Lupine, Lupinus

Death Camas, Zigadenus venenosus, and Prairie Smoke, Geum triflorum

Death Camas

Prairie Smoke

Summit garden, Sin Min Koos (Salish), Mt. Jumbo


Bitterroot, Lewisia rediviva



Fuzzytongue Penstemon, Penstemon eriantherus

Prairie Smoke

Sunday, May 15, 2016

Looking into New Corners in a Long-Loved Place


             "This is the most beautiful place on earth.
          There are many such places. Every man, every woman, carries in heart and mind the image of the ideal place, the right place, the one true home, known or unknown, actual or visionary. A houseboat in Kashmir, a view down Atlantic Avenue in Brooklyn, a gray gothic farmhouse two stories high at the end of a red dog road in the Allegheny Mountains, a cabin on the shore of a blue lake in spruce and fir country, a greasy alley near the Hoboken waterfront, or even, possibly, for those of a less demanding sensibility, the world to be seen from a comfortable apartment high in the tender, velvety smog of Manhattan, Chicago, Paris, Tokyo, Rio or Rome--there's no limit to the human capacity for the homing sentiment….  For myself, I'll take Moab, Utah. I don't mean the town itself, of course, but the country which surrounds it--the canyonlands. The slickrock desert. The red dust and the burnt cliffs and the lonely sky….”  Ed Abbey, Desert Solitaire



We’d never been to Dead Horse State Park or Island in the Sky in Canyonlands, and we hadn’t hiked in Arches since the 1990s.  It was time to go back to Abbey Country, and, with Sylvie, the Prius Utility Vehicle, we could bring our bikes and a whole lot more.



Staying in one of the three yurts--huge wood-frame tents--at Dead Horse Point State Park requires planning (we reserved in January for May), but they make an excellent home base for hiking and biking in the state park and at Island in the Sky. 


 The three yurts share outdoor water spigots and restrooms, and each has heat and air conditioning, a ceiling fan, double-mattress-sized bunk bed, a futon, and a table and chairs.
Looking East toward...

...the La Sal Mountains
Their decks have gas grills, tables, lounge chairs, big skies, and views of the La Sal Mountains and out into canyon country.  

At the Buck Canyon Overlook






Wonderful to have bikes with us!  We met someone riding an early-80s-vintage, lovable Bridgestone bike like mine making the long ride from Moab to Island in the Sky’s Grandview Point (70 miles round trip), but we drove from the yurt to the Mesa Arch trail head and biked from there to Grandview Point—12 miles round trip with a wide margin in the day for moseying.  Out in Canyonlands, we walked to Mesa Arch and to Grandview PointBack in the state park, we walked along the mesa edge.
Biking Back toward Mesa Arch


Mesa Arch

The White Rim from the Grandview Point Trail

Looking toward the La Sal Mountains from Dead Horse Point


Our home base for wandering around town, hiking in Arches, and biking the Potash Road was the greenest motel we have ever seen, with not only the usual compostable coffee cups and prominent recycling bins but also more than 280 photo-voltaic panels (we tried to count).   
And, endearingly, their wind vane has a bike on it.

Near the End of the Potash Road Pavement

Colorado River and Potash Road

Jug Handle Arch
For biking the Potash Road (Utah highway 279), we drove to the end of the pavement at the Intrepid Potash Mine and then rode back upriver until we were ready to turn around, taking our time in the neighborhood of Jug Handle Arch, the Colorado River, and lots of red rock.

Pine Tree Arch
At Arches, we watched storms circle and blow through the park, learned some sandstone/siltstone geology from a ranger, remembered Ed, and walked between the sandstone fins and arch-itecture.

Landscape Arch

Between the Fins

Thursday, December 31, 2015

Snow

Pattee Canyon
We have had a remarkable early winter with frequent snow, cold temperatures to keep it, and beautiful bright-dark skies.  NOAA has forecast a dry, warm winter for us, so we expect that will arrive, but for now we have skiing near town and walking in the neighborhood on clean, creaky, dry snow. 

Rattlesnake Valley Out the Window


Sunday, October 11, 2015

Great Weather, Great Falls, Great Path, Great Art

First Avenue Weissman Bridge with Underpass for Trail

Crossing the Missouri River on the Weissman Bridge
Entrance Pillar for the Weissman Bridge by Alex Smithson


The River's Edge Trail rolls and swoops through Great Falls, on both shores of the Missouri, along railroad rights-of-way, through parks and parking lots, into tunnels, and between bridge abutments.  Benches, vistas, art--what a string of surprises!  There is sculpture along the path on both sides of the river, and the bike/pedestrian Weissman Bridge paralleling the First Avenue bridge for cars is especially beautiful with entrance pillars on the downtown side and bright murals on its concrete abutments.  

Grizzly Bear by Nathan Bread

Sundial Built in Memory of Gary Trescott by Friends & Family














 
Tunnel under Giant Springs Road at Lewis & Clark Visitor Center


Approaching the 15th Street Bridge Underpass







Art plus function: the tunnels and bridge-abutment underpasses along the trail help cyclists avoid conflicts with cars; there are miles and miles of cycling on both sides of the river without the need to stop at all, though there’s plenty to stop and admire.  



























Path & Tables near Giant Springs State Park






Sacagawea, Lewis, Clark, and Cyclist Pointing Upriver
There is more information on the Trescott Bowstring Sundial at http://thetrail.org/august-2012-trescott-sundial



Weissman Bridge from Bench along the Trail




















Ninth Avenue Bridge













Black Eagle Dam & Falls from End of Northside River's Edge Trail

























































































Upstairs in the Paris Gibson Square Art Museum











 

















We also reveled in art at the Paris Gibson Square Art Museum, housed in an 1896 stone building that served first as a high school and then a junior high school.  While some gallery rooms have false walls covering the original classroom walls in order to preserve history and provide backgrounds for artwork, some rooms still have chalkboards on their walls. 


Presently the main floor of the museum holds work by Montana ceramicists and a permanent collection of human figures made from tree trunks, branches, and various found objects like jar and bottle caps, buttons, and cans. These figures, made by Lee Steen (1897-1975), an untrained folk artist in Roundup, MT, provoke a train of thought about why people make and share art.  Why did Steen make his tree people?  Why do we support and love public art?  What does art do?  While David Foster Wallace was speaking of literature, his thoughts crossed my mind at the museum and on the trail.  He spoke of “a kind of Ah-ha!” he got sometimes in “brief flashes or flames,” moments of feeling “unalone--intellectually, emotionally, spiritually,” “human,” and “in a deep, significant conversation with another consciousness.”  We were pretty high from biking along the river in the sun, but the butterfly and trout murals under the bridge and all the art we saw took us higher, happier, humaner.  
On the Trail East of the Lewis & Clark Visitor Interpretive Center


Stained Glass Window at the Museum